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Antonio de Leon : “Aztec Calendar (Sun) Stone” (1792)

Museum Quality Giclée on Fine Art Paper

  • Matte Finish does not pick up glare from interior lighting
  • Smooth Surface maximizes sharpness and preserves detail
  • Accent Borders display the artwork uncropped and ready to mat
  • In-house Printing assures artistic quality standards

This engraving of the Aztec Calendar Stone, or Sun Stone, appeared in the essay in which the artifact was first described: Antonio de León y Gama’s Historical and chronological description of the two stones found during the new paving of the Mexico main plaza (1792). Carved of rock extracted from the Xitle volcano sometime between 1502 and 1521, it was discovered buried beneath the main square of Mexico City on December 17th, 1790.

The central figure is variously theorized to be the solar deity Tonatiuh, the earth monster Tlaltecuhtli, or possibly a hybrid deity known as Yohualtecuhtli, “The Lord of the Night.” His tongue is represented by a sacrificial knife and he holds a human heart in each of his clawed hands. Aztec deities sacrificed themselves in order for the cycles of the sun to continue, and thus it was understood that humans should sacrifice themselves to the gods in return. According to the Dominican friar Diego Durán, Alonso de Montúfar, Archbishop of Mexico from 1551 to 1572, ordered the burial of the Sun Stone so that “the memory of the ancient sacrifice that was made there would be lost.”

Product Information

Expect crisp detail and vivid color from our giclée process fine art prints. We use archival pigment inks on cotton fiber paper to achieve a wide color gamut, deep blacks and beautiful tonal transitions. Unlike posters, they will not fade or yellow, but maintain their original quality for as long as you own them.

How to Frame

Historical artworks were produced in whatever shapes and sizes best suited the artists and their patrons, and these rarely correspond to the proportions of modern, mass-produced frames. Most reproductions sold on the web are cropped to an arbitrary standard, compromising the integrity of the original artwork. We solve this by using accent borders to make up any differences in proportion.

Framing may be as simple as inserting the print into a standard size frame with the borders showing. In many cases, our customers choose to have them matted. Borders allow space for framers to mount the print while covering little, if any, of the artwork. Our images are sized to provide desirable mat widths in common frames.

Sizes 9” x 12”, 12” x 16”, and 16” x 20” are designed to be matted in larger frames, such as 11” x 14”, 16” x 20” and 20” x 24”, respectively. Larger prints may be matted in frames of equal size, the borders corresponding to the shape of the mat. Where the artwork is unusually square or narrow, other sizes may be preferred.

If our sizing does not meet your requirements, we provide customization free of charge. Please contact us to discuss the details.

Shipping and Returns

All orders ship within one business day. The following services are available at checkout:

United States
 
Shipping Class Price Estimated Delivery Window
USPS First Class Parcel Free 3 – 5 business days
USPS Priority Mail $3.99 2 – 4 business days
USPS Priority Mail Express $29.99 1 – 3 days, guaranteed
Canada *
 
Shipping Class Price Estimated Delivery Window
USPS First Class International $11.99 1 – 3 weeks
USPS Priority Mail Express $56.99 3 – 5 business days
International, Excluding Canada *
 
Shipping Class Price Estimated Delivery Window
USPS First Class International $17.99 1 – 4 weeks
USPS Priority Mail Express $62.99 3 – 5 business days

* International orders may be subject to import taxes at time of delivery.

Returns Policy

If you are unhappy with your order for any reason, you are welcome to return it within 60 days for a full refund. Please contact us and return your item(s) to: The Ibis 809 Grant Street Endicott, NY 13760

Your return will be processed on receipt.
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