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Frederic Edwin Church : “Cotopaxi” (1855)

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The Ibis’s giclée process uses archival pigment inks on 100% cotton rag paper to achieve crisp detail and rich, lasting color. Unlike posters, they will not yellow with time, but will maintain their original quality for as long as you own them. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.
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Frederic Church was an ambitious painter and enthusiastic amateur scientist. He had read Darwin’s books and Alexander von Humboldt’s descriptions of Cotopaxi, “the most dreadful volcano…its explosions most frequent and disastrous.” The fabled Ecuadorian mountain provided both a poetic symbol of God’s creation and an exciting window into the planet’s natural history. Geology was a new science in the nineteenth century, and Church was among those who believed that volcanoes offered clues to the age and origins of the earth. On his first visit to Ecuador, the artist waited an entire day near the hacienda pictured here, hoping that the clouds would part to reveal the peak. American critics complained that Church’s paintings of the volcano did not capture the soft atmospheric haze that they were used to seeing in landscapes. Those who had never traveled to the high country of the Andes did not understand that in the thin, clear air, Cotopaxi’s icy flanks gleamed just as Church had painted them.

(Text courtesy of the Smithsonian American Art Museum).

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