“[A]s I have never seen anything but fields since I was born, I try to say as best I can what I saw and felt when I was at work,” wrote Jean-François Millet. At the Salon of 1863, Man with a Hoe caused a storm of controversy. The man in the picture was considered brutish and frightening by Parisian bourgeoisie. The Industrial Revolution had caused a steady exodus from French farms, and Man with a Hoe was interpreted as a socialist protest about the peasant’s plight. Though his paintings were judged in political terms, Millet declared that he was neither a socialist nor an agitator.
A religious fatalist, Millet believed that man was condemned to bear his burdens. This farmer is Everyman. His face is lit, yet composed of blots of color that give him no individuality. He is big and dirty and utterly exhausted by the backbreaking work of turning this rocky, thistle-ridden earth into a productive field like the one being worked in the distance. A tribute to dignity and courage in the face of a life of unremitting exertion, Man with a Hoe was long considered a symbol of the laboring class.
Credit Line: Text courtesy of the Getty’s Open Content Program (CC BY 4.0).
Product Information
Expect crisp detail and vivid color from our giclée process fine art prints. We use archival pigment inks on cotton fiber paper to achieve a wide color gamut, deep blacks and beautiful tonal transitions. Unlike posters, they will not fade or yellow, but maintain their original quality for as long as you own them.
How to Frame
Historical artworks were produced in whatever shapes and sizes best suited the artists and their patrons, and these rarely correspond to the proportions of modern, mass-produced frames. Most reproductions sold on the web are cropped to an arbitrary standard, compromising the integrity of the original artwork. We solve this by using accent borders to make up any differences in proportion.Framing may be as simple as inserting the print into a standard size frame with the borders showing. In many cases, our customers choose to have them matted. Borders allow space for framers to mount the print while covering little, if any, of the artwork. Our images are sized to provide desirable mat widths in common frames.Sizes 9” x 12”, 12” x 16”, and 16” x 20” are designed to be matted in larger frames, such as 11” x 14”, 16” x 20” and 20” x 24”, respectively. Larger prints may be matted in frames of equal size, the borders corresponding to the shape of the mat. Where the artwork is unusually square or narrow, other sizes may be preferred.If our sizing does not meet your requirements, we provide customization free of charge. Please contact us to discuss the details.
Shipping and Returns
All orders ship within one business day. The following services are available at checkout:
United States
Shipping Class |
Price |
Estimated Delivery Window |
USPS First Class Parcel |
Free |
3 – 5 business days |
USPS Priority Mail |
$3.99 |
2 – 4 business days |
USPS Priority Mail Express |
$29.99 |
1 – 3 days, guaranteed |
Canada *
Shipping Class |
Price |
Estimated Delivery Window |
USPS First Class International |
$11.99 |
1 – 3 weeks |
USPS Priority Mail Express |
$56.99 |
3 – 5 business days |
International, Excluding Canada *
Shipping Class |
Price |
Estimated Delivery Window |
USPS First Class International |
$17.99 |
1 – 4 weeks |
USPS Priority Mail Express |
$62.99 |
3 – 5 business days |
* International orders may be subject to import taxes at time of delivery.
Returns Policy
If you are unhappy with your order for any reason, you are welcome to return it within 60 days for a full refund. Please contact us and return your item(s) to:
The Ibis
809 Grant Street
Endicott, NY 13760
Your return will be processed on receipt.