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John Haberle : “A Bachelor’s Drawer” (1890-1894)

Archival Inkjet on Matte Finish Fine Art Paper

The Ibis’s giclée process uses archival pigment inks on 100% cotton rag paper to achieve crisp detail and rich, lasting color. Unlike posters, they will not yellow with time, but will maintain their original quality for as long as you own them. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.
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John Haberle was a master of the trompe-l’oeil (literally, “deceive the eye”) still life, in which shadow effects, foreshortening and other techniques of perspective are used to lend realistic objects the illusion of three-dimensionality. Together with John F. Peto and William Harnett, he was one of three major American artists practicing this art form in the late 19th century.

Like many trompe l’oeils, A Bachelor’s Drawer tells a story — Haberle’s own. His portrait appears on a tintype at the bottom edge of the canvas. Simulated bank notes are accompanied by newspaper clippings mentioning the accusations of counterfeit that these generated. “A New Haven artist has plunged himself into trouble by making too perfect greenbacks in oil,” reads one. “Others have often had trouble by losing too perfect greenbacks in oil.” Meanwhile, a pamphlet on how to name a baby looms over a collection of playing cards and “girlie” photographs, where a cartoon of a dyspeptic infant imposes itself; the things of the past are being set aside as a new chapter begins.

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