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Leon Bonvin : “Vase of Red and White Carnations” (1863)

Archival Inkjet on Matte Finish Fine Art Paper

The Ibis’s giclée process uses archival pigment inks on 100% cotton rag paper to achieve crisp detail and rich, lasting color. Unlike posters, they will not yellow with time, but will maintain their original quality for as long as you own them. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.

Born in the Parisian suburb of Vaugirard, Léon Bonvin had artistic ambitions from an early age. He was largely self-taught, though his older half-brother François, who had garnered recognition among Paris’s Realist painters, encouraged him and gave him supplies. Bonvin’s earliest drawings were small, somber charcoal and ink sketches of his bleak environment.

While earning his living as an innkeeper, Bonvin drew directly from nature, recording the fields and flowers near his home and interior views of the inn. By the 1860s, he had turned exclusively to watercolor, creating landscapes and still lifes with remarkable luminosity. François encouraged him to study the Dutch and Flemish masters’ meticulous realism and use of outline. By outlining the forms in sepia-toned ink, Bonvin achieved distinctive, almost photographic effects in his watercolors. After his marriage in 1861, Bonvin’s financial situation worsened and his inn lost money. In January 1866 he traveled to Paris to try to sell his watercolors. The day after an art dealer refused his work, the despairing artist hanged himself in the forest of Meudon. A posthumous sale of his watercolors raised over 8,000 francs to benefit his destitute family.

Credit Line: Text courtesy of the Getty’s Open Content Program (CC BY 4.0).

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