Active from the early 1900s to mid 1950s, Ohara Koson was a member of the shin-hanga, or “new prints” movement, which infused techniques of Western realism into traditional ukiyo-e subjects. He was prolific in the kachoga, or “bird and flower” genre, his style characterized by delicate, painterly effects, reminiscent of watercolor. Having been marketed principally to Westerners, his works are now undergoing a period of rediscovery in Japan.
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Ohara Koson : “Group of Egrets” (undated)
Archival Inkjet on Matte Finish Fine Art Paper
The Ibis’s giclée process uses archival pigment inks on 100% cotton rag paper to achieve crisp detail and rich, lasting color. Unlike posters, they will not yellow with time, but will maintain their original quality for as long as you own them. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.